A few friends have read LIFTERS and told me how much they
liked it. But they’re friends, and
strongly biased in my favor. Today I
talked with a woman who is a student at the Lifetime Learning Center, where I’m
the director. I don’t know her beyond
the casual chatting I do with the three hundred or so students who take classes
with us. But she had overheard me telling
someone about the novel, and asked where to find it.
She came to me bubbling with enthusiasm. What a sweetheart! She’d recently had the experience of reading
an e-novel published by a local author someone had recommended to her, and had
been disappointed. “Probably never would
have found a publisher,” was her judgment.
But my book was great, she said.
She loved the writing. I hear
that praise with caution; it’s possible to write fluently but not have much of
a story to tell. She asked me about the
research. “You can tell you did your
homework,” she said.
That led to a conversation I’ve had before in book
discussion groups. Is a novelist who
brings historical events into his story required to be accurate? Those discussions sometimes become a debate
between what I call the historians and the storytellers. The historians argue that you can create
dialogues that no one could have recorded, but you shouldn’t alter what is
known as historical fact. The
storytellers say the novelist can do what she wants as long as she holds the reader’s
interest and faith in the world she is creating.
I could go either way on that. I find myself intrigued by the motives of
certain historical figures, and enjoy speculating about them in what I write. An example is the wrestler Dr. Roller in my
story. There is no documentation that
will get to the root of his ambivalent behavior. You can read the newspaper accounts, and you’ll
be left, as I was, free to speculate.
But newspaper accounts of life in Seattle during the first
decade of the twentieth century were the starting point for my story, and I
came down on the side of the historians.
Nothing that I knew had actually happened was altered in my slice of
early Seattle life.
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